Deep Blue Sea (1999) Watch Streaming

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  • Original Title : Deep Blue Sea
  • Movie title in your country : Deep Blue Sea
  • Year of movie : 1999
  • Genres of movie : Action, Science Fiction, Thriller,
  • Status of movie : Released
  • Release date of movie : 1999-07-28
  • Companies of movie : Village Roadshow Pictures, Warner Bros., Riche-Ludwig Productions, Groucho III Film Partnership,
  • Countries of movie : Australia, United States of America,
  • Language of movie : English,
  • Durationof movie : 105 Min
  • Average vote of movie : 5.6
  • Youtube ID of movie : gpdab_bi2HY
  • Translation of movie : BG,CA,CS,DA,DE,EL,EN,ES,ES,FR,HE,HU,IT,JA,KO,NL,PL,PT,PT,RO,RU,SV,TR,UK,ZH,ZH,
  • Cast of movie :Aida Turturro (Brenda Kerns), Sabrina Geerinckx (Girl #2), Thomas Jane (Carter Blake), Frank Welker (Parrot Noises (voice)), Cristos (Boat Captain), Tajsha Thomas (Friend of Janice), LL Cool J (Sherman 'Preacher' Dudley), Daniel Rey (Helicopter Pilot), Michael Rapaport (Tom "Scoggs" Scoggins), Brent Roam (Helicopter Winch Operator), Saffron Burrows (Dr. Susan McCallister), Dan Thiel (Boy #2), Erinn Bartlett (Girl #1), Stellan Skarsgård (Jim Whitlock), Eyal Podell (Boy #1), Samuel L. Jackson (Russell Franklin), Jacqueline McKenzie (Janice Higgins), Valente Rodriguez (Helicopter Co-Pilot)
Bigger. Smarter. Faster. Meaner.

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Deep Blue Sea is best movie provided by Village Roadshow Pictures, Warner Bros., Riche-Ludwig Productions, Groucho III Film Partnership, who have a description of the movie is "On a remote former submarine refueling facility called Aquatica, a team of scientists are searching for a cure for Alzheimer's disease. Dr. Susan McAlester genetically engineers three Mako sharks, intending to increase their brain capacity so that they can harvest the tissue as a cure for Alzheimer's. Unfortunately, the increased brain capacity also makes the sharks smarter, faster, and more dangerous. Aquatica's financial backers are skeptical and nervous about the tests, and send a corporate executive to visit the facility.". The film was produced with excellent graphic quality, best sound quality and greatest starring actors.

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Assistant Costume Designer : Karla Stevens Flanigan, Steadicam Operator : Mark Emery Moore, Hairstylist : Robert L. Stevenson, Animation : Julie Nelson, Additional Editing : Kevin Stitt, Rigging Gaffer : Ismael 'Izzy' Gonzalez, Key Hair Stylist : Peter Tothpal, Animation : Constance Bracewell, Supervising Sound Editor : Robb Wilson, Art Department Coordinator : Beth Bajuk, Production Supervisor : Anna Roth, Color Timer : Dale E. Grahn, Stunt Coordinator : R.A. Rondell, Casting Associate : Cassandra Kulukundis, Camera Operator : Guillermo Rosas, Supervising Art Director : Mark W. Mansbridge, Production Manager : Anthony Franco, ADR & Dubbing : Hugh Waddell, Dialogue Editor : Patrick J. Foley, Producer : Don MacBain, Additional Music : Michael Jay, Art Direction : Andrew Rothschild, Director : Renny Harlin, Set Medic : Sarah Catizone, Camera Operator : Phil Pastuhov, CG Supervisor : Douglas R. MacMillan, Visual Effects Supervisor : Craig A. Mumma, Set Production Assistant : Jose Jimenez, Production Accountant : Armando Amador, Boom Operator : Todd Bassman, Production Sound Mixer : Tim Cooney, Leadman : Russell R. Anderson, Property Master : Eric J. Bates, Production Illustrator : Harald Belker, Makeup Department Head : Jeff Dawn, Executive Producer : Bruce Berman, Visual Effects Producer : Thomas Boland, Set Costumer : Carrie Bauer, Assistant Art Director : Ligia Ornelas, Producer : Tony Ludwig, Visual Effects Coordinator : Jack Geist, Supervising Sound Editor : J. Paul Huntsman, Visual Effects Editor : Mark Eggenweiler, Prosthetic Makeup Artist : Chad Atkinson, Visual Effects Editor : Kevin Clark, Makeup Artist : Allan A. Apone, Executive In Charge Of Production : Mark Scoon, Second Unit Cinematographer : Gary Capo, Set Decoration : Debra Echard, Producer : Alan Riche, Editor : Frank J. Urioste, Visual Effects Supervisor : Rebecca Marie, Driver : Rick Kelleher, Art Direction : Héctor Romero, Projection : Tom Ajar, Special Effects Supervisor : John Richardson, Storyboard : Gary Damian Thomas, Stunts : Lesley Aletter, Best Boy Electric : R. Gern Trowbridge, Supervising Art Director : Bruce Crone, Foley : Catherine Harper, Post Production Supervisor : Ilyse A. Reutlinger, Foley : Kevin Bartnof, Special Effects Coordinator : Sergio Jara, Construction Foreman : William Apperson, Production Design : William Sandell, CGI Supervisor : Serge Sretschinsky, First Assistant Camera : Frank Flick, Editor : Derek Brechin, Visual Effects Supervisor : Jeffrey A. Okun, Visual Effects Supervisor : William Mesa, Screenplay : Wayne Powers, Grip : Gustavo Covarrubias, Animation Supervisor : Ken Stranahan, Additional Camera : Frederick Iannone, Set Dressing Artist : Chris Adams, Visual Effects Producer : Kristen Branan, Editor : Dallas Puett, Video Assist Operator : Jeff Burrage, Transportation Captain : Hugo Chew, Standby Painter : Anthony Gaudio, Co-Producer : Rebecca Spikings, Visual Effects Editor : Steve Shaw, Production Office Coordinator : Francis Meade Warner, Sound Re-Recording Mixer : John T. Reitz, Lighting Technician : Bruce Sharp, Set Designer : Bill Taliaferro, Construction Coordinator : Gary Deaton, Orchestrator : Tom Calderaro, Underwater Camera : Pete Romano, Visual Effects Producer : Scott Dougherty, Transportation Coordinator : Russell McEntyre, Set Designer : Karl J. Martin, Executive Producer : Jonathan Schwartz, Animation : Bruce Pearson, Assistant Art Director : David Sandefur, Assistant Art Director : Nick Navarro, Location Manager : Michael John Meehan, Digital Compositors : John Rauh, Visual Effects Supervisor : Jamie Dixon, Camera Operator : Marc Spicer, Sound Effects Editor : Adam Johnston, Executive Producer : Duncan Henderson, Digital Effects Supervisor : Simon Giles, Casting : Christine Sheaks, Assistant Art Director : Jonathan McKinstry, Visual Effects Editor : Scott Balcerek, Costume Supervisor : James W. Tyson, Costume Design : Mark Bridges, Unit Manager : Rafael Cuervo, Camera Operator : Leo J. Napolitano, Visual Effects Supervisor : Jerry Pooler, Music Editor : Will Kaplan, Property Master : Jerry Moss, Director of Photography : Stephen F. Windon, Producer : Akiva Goldsman, CG Supervisor : John E. Sasaki, Mechanical Designer : Larry Cheng, Music Editor : Dick Bernstein, Electrician : Matt Buchan, Rigging Grip : Jonas Juhanson, Production Office Assistant : Jason D. McGatlin, Dialogue Editor : John F. Reynolds, Production Design : Joseph Bennett, Script Supervisor : Kelly Moon, Aerial Coordinator : David Paris, Utility Stunts : Joey Box, Sound Recordist : Rick Hromadka, Assistant Sound Editor : Catherine Calleson, Sound Effects Editor : Jayme S. Parker, Associate Producer : Patrick Lynn, Visual Effects Producer : Heather Smith, Unit Publicist : Peter J. Silbermann, Camera Operator : Gregory J. Schmidt, Visual Effects : Joshua I. Kolden, Original Music Composer : Trevor Rabin, Set Designer : Javier Nava, Gaffer : Mick Morris, Unit Production Manager : Todd Arnow, Visual Effects Editor : Lincoln Kupchak, Assistant Director : Thomas J. Mack, Screenplay : Donna Powers, Still Photographer : Merie Weismiller Wallace, Screenplay : Duncan Kennedy, Sound Effects Editor : Andrew Somers, Associate Producer : Thomas J. Mack, Sculptor : Jim McPherson, Script Supervisor : Portia Tickell
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Tags: shark attack, shark, alzheimer's disease, killer shark, no opening credits,

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